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Timbral listening
Timbral listening is the process of actively listening to the timbral characteristics of sound.
==Concept==
In timbral listening, 'pitch is subordinate to timbre'. Instead, the specific quality of a musical tone is determined by considering 'the presence, distribution and relative amplitude of overtones.'〔Süzükei, V., ''Listening The Tuvan Way'' in Levin, T., ''Where Rivers and Mountains Sing, Sound, Music and Nomadism in Tuva and Beyond'' (Bloomington: Indiana University press, 2006) p. 47.〕
When using this listening technique/ method of perception / interpretation there is 'a relation between timbre and spectral content which is analogous to that between pitch and frequency in that one is the prevalent cultural construct of the other'〔Waters, S., "Timbre Composition: Ideology, Metaphor and Social Process", Contemporary Music Review, 10:2 (1994), p133-134〕
The most common form of timbral listening is listening to speech. This is demonstrated by listening to, for example, the vowels /a/ and /i/ spoken at the same pitch and intensity. The difference between the two sounds is entirely one of spectrum, or as the term is used in this article, timbre.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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